Nuit and the Occult Art

Nuit, the ancient Egyptian Goddess of the Night Sky, has become known to many through the work of occultists, especially the very popular Aleister Crowley, and after him, the orientalist and fantasist Kenneth Grant. We may wonder then, who or what is Nuit really? With ancient Egyptian deities we need first to look at the hieroglyphs of their names.

Nuit hieroglyphsThe ‘pot’ determinative (nu) shows the nature of Nuit as the principle of containment. On the cosmic level, she appears as a body of stars. The hieroglyph for ‘sky’ or ‘space’ (djet) is symbolised by the heavens above. Space is analogous with the infinite, but is not in itself infinite; that is to say it is not measureless or eternal but is indefinite on the human scale. Space is not, as Western Buddhists and postmodernists alike have imagined, nothingness, void, emptiness or total absence. Space is filled by the fifth element akasha, which permeates it, though akasha is frequently confused with space.[1]

Nuit, however, is not a symbol of the night sky, which is hardly needed. In the same way, profane commentators (and Egyptologists) imagine that Ra is a ‘symbol of the Sun’, whereas both the Sun and Ra are symbols of the supreme metaphysical Real, which only has words to describe it in Sanskrit, such as Atma (the Self). As we do not have a comparable figure in the so-called Western tradition (really a lost tradition), we must resort to Hinduism or other ancient doctrines to find one. Parvati, for example, the bride of Shiva, is the loving, benevolent deity from which all positive notions of the ‘soul’ have arisen. In Shaivite tantrism she is simply called Shakti (‘power’) and is seen as not in any way separate from Shiva, the supreme principle. She is then the power of the Absolute that produces an appearance, the universe, and all individual beings, but she is not the appearance itself.

Nuit and Occult Reductionism

Nuit (Alternative) from Egyptian Tarot by Oliver St. JohnWhile Crowley versified his ideal of Nuit with some success, in practical terms he reduced her to no more than a ‘formula’ of sexual magick, which he was inclined to do with most things. The basis for the assumption rests on interpreting the language of Crowley’s mediumistically received Book of the Law (Liber AL vel Legis) as vulgar innuendo. Yet this has been taken very seriously by some. Sexual obsession requires little or no effort to achieve and is greatly magnified through abuse of the ‘talisman’, As Crowley and Grant called it, which really means the products of sexual activity. This might seem strange to those unfamiliar with the works and practices of these notorious occultists, but it would not be wrong to call them ‘sex magicians’ given the degree of their obsession, which meant that:

1. They were not initiated into anything in reality, although they claimed to be supreme masters of everything and even managed to get quite a lot of other persons to believe that.

2. They were incapable of transmitting a spiritual influence for the same reason and could not have even known what that is.

In fact, ‘self-hypnotists’ would be more accurate to describe these ‘Thelemic’ sorcerers and their obliging followers, who are quite numerous even today.[3] For example, the word ‘come’ appears five times in the first chapter and eleven times in the whole book in a context where a simpleton might think the modern slang term for sexual orgasm was intended. There are no other terms in the book that could be construed in that way. Indeed, the Book of the Law contains a considerable amount of King James Bible English, which was the preferred style that Crowley wrote in when he was pretending to be a ‘mystic’. Kenneth Grant, never one to be restrained, went so far as to speculate that the last verse of the first chapter, “The Manifestation of Nuit is at an end” actually indicates the ‘end’ of her body, the sexual parts![4]

Kenneth Grant took this notion of Nuit as a formula of sexual magick one step further, reducing Nuit to her appearance or manifestation.[3] Sometimes he referred to Nuit as a mere formula of manifestation, to be applied to sorcerous mechanics of menstrual blood, which both he and Crowley confused with the ‘red tincture’ of alchemy, thus demonstrating they knew nothing of alchemy—even their idea of magick was a profane confabulation of imagined notions and systematised correspondences.

In limiting Nuit to a sort of field of phantasmal projections, Grant asserted the Monad—that Hadit the Serpent of Knowledge (as described in extremely ambiguous terms in the second chapter of Liber AL) is the ‘Sole Self Alone One’. Grant then posited what he called ‘mysticism’ and magick as two opposed ideas. The idea is that the magician partakes of both while believing in ‘neither this nor that’. It declares impossibility through confusion of terms because mysticism is properly something that only concerns those with a religious faith, which would certainly exclude Kenneth Grant. The neither-neither terminology was borrowed from artist Austin Osman Spare, who worked to develop a self-styled cult where willed self-obsession is the means of obtaining desire-wish-fulfilment. Perhaps needless to say, both he and Grant were the sole members of their own versions of the selfish cult![5]

Nuit as ‘Not’ or Pure Negation

Grant and other postmodernist followers of Crowley developed a notion of Nuit as ‘Not’ or Pure Negation. This seems obviously skewed if we consider they wanted to reduce Nuit to a formula for manifestation, which means to show something, make an appearance. In its own way the logic can be convincing if we remember that according to certain Buddhistic notions, the visible world, called maya, is an illusion. Thus Grant and his followers wanted to equate Nuit with Mahadevi Shakti Maya and pretend they were rediscovering a tantric tradition; whereas in fact they were simply inventing a pseudo-tradition based on mechanistic magical manipulation itself derived from confusing metaphysics with profane science. According to what we said earlier,

While insisting that the mind, as with everything else, is nothingness or ‘emptiness’, as with the Shunyavada ‘void’ theory, integral to that path in all its manifestations, Buddhists use this empty notion to deny that anything exists as a higher principle to the mind. Thus, in the denial, they actually affirm the mind as sole reality, even if it is ‘empty’. So according to them, it really is all nothing.[6]

The notion that ‘it really is all nothing’ was powerfully irresistible to Grant and his followers, who being ‘satanists’ in the sense they wanted to invert all traditional symbolism so as to destroy tradition to replace it with counterfeit initiation, had great admiration for anything of a wholly negative nature. The ‘void’ theory of Buddhism was the very thing they wanted to provide doctrinal support for their imagined notions. They thus took it and superimposed it upon Nuit, the only aspect of Crowley’s self-invented cult that conveys real beauty and even spirituality, if we carefully sift through the ravings of Liber AL to find the few authentic fragments of ancient Egyptian lore.

Oracle of Nuit

Perhaps the last word should be left to Nuit herself. Here follows the Oracle of Nuit.[7]

I am the Soul of the Eternal, and the Eternal is the Soul of Me.
Heed not the words of them that say I am appearance, or manifestation, for I never knew them and they knew not Me.
Visibility is my jewel and my compass but that which sparkles is the eye of mine Seer; I am neither that which is seen not that which is measured.
I am the vessel but not the contained. I am neither space nor the myriad stars. Time is undulation upon the surface of space and all is contained, as it were, as a glimmer or breath rejoicing in the perfect circumference of my naval. Do not mistake Me!
The Sons of Light are as my rays, or as the lightening of the branches of my trees, and the leaves the manifold expression of my word. AUM—heed not the stars if they should be the cause of your forgetfulness of Me, but chant the stars in the way that I will show you, and you will know my name.
Ah! … Then at last you will come to know thy Self in freedom from pleasure and from pain. Then know Me! For I am bliss beyond imagining.


Notes

Nuit: for the Egyptian Tarot of Nuit XVII and Aquarius click here (opens new page).

1. The refutation of heterodox schools of thought (i.e. Buddhism) concerning space is given in Siddhāntabindu of Srimat Madhusūdana Sarasvati [University of Mysore 1981].
2. For an account of Thelema, including a rare interpretation that actually renders some of the Book of the Law meaningful, see our book Law of Thelema—Hidden Alchemy.
3. There is no space here to go thoroughly into the excesses of Kenneth Grant. See the third part of our book, Thirty-two paths of Wisdom—Key to the Hermetic Qabalah: Commentary on the Shining Paths of the Sepher Yetzirah and the Paths of Evil.
4. Grant developed this idea as early as 1955, when preparing the ground plan for his (fictional) New Isis Lodge. He was consistent in this notion throughout his works. It is best evidenced in his book, Aleister Crowley and the Hidden God [Starfire Publishing Ltd.]
5. While it is true that there were others who joined in with Grant’s game, one can hardly call them members of a ‘cult’, which properly speaking implies a discipline.
6. See ‘Pervasive Influence of Buddhism on Occultism and Neo-Hinduism’ here.
7. From the Zodiacal Rituals of Nuit and Ra, Hermetic Order of the Star and Snake.

© Oliver St. John 2026

Books by Oliver St John

Podcasts

  • Metaphysics of the Real: RSS.com
    On RSS you can listen on all major platforms, including Apple, Spotify, Amazon, etc.
  • Metaphysics of the Real on YouTube Channel

Mantra Yoga and Initiation

The mantra is extremely important in all initiatic traditions as it is the primary means of conveying diksha or ‘initiation’ within the Orders or groups. Various meanings of the Sanskrit term also include ‘consecration’, ‘preparation’ and most interestingly, ‘new vision’, as seeing and knowledge often have the same meaning.

Mantra Yoga Sanskrit Om or AumWhen the guru gives a mantra to a sadhaka, it is called japa as that implies continuous repetition. While that is not the only use of the mantra, japa is valuable as a means of controlling the mind and stabilising the knowledge, and can be very efficacious as a support to meditation. The word or phrase can itself be the object of meditation. The whole question of diksha is contentious and some prefer not to discuss the subject at all, which is understandable. One should certainly not discuss one’s personal mantra. Very often the same mantra will be given to a group; it is still ‘personal’ when it has been conferred, even if used by all the followers of a particular guru.

This article is from our book, Advaita Vedanta—Question of the Real.

Why is diksha contentious? Very often novices will pester us for japa or diksha when they have read or heard about it somewhere and sense its importance. However, that feeling does not take account of their readiness to receive it, especially in the real initiatic sense. Impatience is a clear indication of unworthiness, although there is no reason at all why it should not be requested. In so far as it really can transmit initiation then once received it is permanent, and this is why it has been said that no member of an Order can ever leave it, since it is an integral part of being. Those who do leave an Order, as of course happens frequently, especially in the volatile times we live in today, were never truly members so their departure is no different than someone dissociating from any profane club, association or society. Even if initiation were given, they would not have received it.

Mantra in Initiation

This brings up a very important question regarding initiation, in whatever way it is given. We will not discuss here the absurdity of ‘self-initiation’, which is very popular in neo-spiritualism, and will only state here that it is an oxymoron arising from sheer ignorance. Initiation must be transmitted from one who has knowledge of more than a theoretical order, or if not, then at least from one that has received authorisation to initiate from within an Order. Initiation, as we have said, may be given sometimes but not received. Likewise a seed may be cast upon stony ground and so will not flourish.

At the highest level diksha is no less than what is called guru darshana, where the samadhi of the guru is transferred to the practitioner at least temporarily—in which case they have to work on it of course. There are other cases where the person may receive a spiritual influence but owing to their lack of preparedness, its effect is detrimental—although this is usually temporary and it is known that sometimes the power has been subsequently removed by the guru. In such a case, they were not able to withstand the direct transference from the mind of a Brahma-jnanin. It will then become apparent that the giving of a mantra or diksha is far more than the practice within the Order of the Golden Dawn where a seasonal ‘password’ is given, or in some later derivatives of that, where the Neophyte has to figure out a ‘secret word’ from a code given in the ritual.[1]

A real mantra is never merely invented or made up. The word or phrase will often be one well known from the Gita or Upanishads, for example, in which case the question arises as to how then can it be in any way ‘secret’ or indeed personal? It is special because it has been given in the way we have indicated. It is not merely a word, there is power behind it, which is the power of transmission. The guru will also give personal instruction in how to pronounce it and how to use it, which may be different according to the individual.

The secret then is not in a word itself, as is the case with shruti (‘direct’) texts. This is further explained by the bija mantra, where not only a word is given but also a deity, called Ishta Devata, the ‘chosen deity’. The mantra in this case is linked to the deity and usually a name of the deity is included, as with the much celebrated Om Nama Shiva-ya. There are countless examples in scripture and in hymns of praise. The most important of all of them is Om or AUM as it is a name of Brahma and much else besides.[2]

Mantra yoga: Sanskrit Om or AumThe three letters A, U, M are merged into one figure. The chandra-bija is at the top, which literally means ‘moon and dot (or point)’. All mantras include what is also called the bija-nada, which is indicative of subtle sound, not uttered physically. The bija ‘point’ is placed over the mantric word to indicate this. It is for the same reason—of the very subtle nature of this sound—that AUM is referred to in the Vedas indirectly, as Pranava, which is AUM or Brahma Nirguna.[3] This can be taken to mean, ‘a boat that carries us away from world illusion and to the Real’. This is further  indicated by the moon and point.

Mantra: saying it and hearing it

It is often said in books or literature that mantras are to be sounded aloud with the voice. While this is sometimes done, it is not the way to enter the mystery of the bija-nada. It is therefore best to utter the word silently. In the highest form of the nada, it is not uttered at all, not even mentally, but is heard though not with the ears or even the inward sense of hearing. In this case, what is actually experienced is completely indescribable. There are lesser degrees of this, which amount to more indirect forms of knowledge.

The yantra, ‘image’, is also used extensively, and there are countless examples even within Hinduism, let alone neo-spiritualism where symbols are invented as often as they are drawn from a valid tradition. Apart from these—some of which can be effective—the best are no doubt to be found within the ancient Egyptian hieroglyphs. Some of the most effective within the Tantras, and which are also very well known, also happen to be the simplest, for example the point within a triangle:

Mantra and yantra: tantrik yantraThe purpose of this is to meditate, using the bindu in the centre as the focal point. Such a yantra should preferably be hand drawn and painted by the sadhaka. While it can be meditated on externally, as with the mantra it is best when it is transferred to the subtle sense of vision in the first instance. After that, depending on the skill of the operator, the image itself is lost and the real knowledge of the symbol is known directly.

Another form of yantra is the image of the Ishta Devata. This is used in combination with the bija mantra. Traditionally, the idea is to build the image of the deity imaginatively in as much detail as possible. In practice, some are better at this than others, and in fact it is not really essential, especially as the idea is not to stay with the imagination; ideally, the created ‘picture’ is replaced by the vision of the deity, which is not at all the same thing as imagining it. Although it is not in any way a supreme realisation or something of that order, there are ‘degrees’ or levels of reality and the vision is of a higher order generally than mere visualisation. This practice is also part of what is called Ishvara Pranidhāna in the Yoga-Sutras.

Mantras and Chakras

Finally, a word should be said regarding the use of bija mantra images and sounds associated with the chakras. There is much of this written about in popular books and elsewhere, and that removes such practices entirely from their traditional use, so we will not give here a list of them. One might gain the impression, even from what might appear to be authoritative sources that the use of mantras extends no further than a means of helping with bodily health or psychological problems. In fact, using them ignorantly in the ways often suggested can be harmful—often the best thing that can happen is that nothing happens at all. Why is this? The methods are ancient and while the main use of these was spiritual, that does not mean that a spiritual influence will have a beneficial effect on one that uses them without knowledge and without a guru to guide them.

Even in tradition, mantras can be used for material purposes and this is not necessarily illegitimate but obviously there is ignorance prevailing in the person using them in this way, exactly as in the case of magical talismans. Our recommendation is to use the mantra and yantra for spiritual purposes, which means knowing the Real as the ultimate goal.


Notes

1. For example, using the Western colour correspondences to the paths of the Tree of Life in the King Scale: blue, yellow, orange-yellow, emerald green, blue-black: MABYN, a transliteration from Hebrew, sometimes rendered without the yod.
2. One should refer, in the first instance, to the Mandukya Upanishad, which is the authoritative treatise on AUM.
3. Thus repetition of the sacred AUM is called Pranava Japa.

© Oliver St. John 2024

Books by Oliver St John

Podcasts

  • Metaphysics of the Real: RSS.com
    On RSS you can listen on all major platforms, including Apple, Spotify, Amazon, etc.
  • Metaphysics of the Real on YouTube Channel