Nuit and the Occult Art

Nuit, the ancient Egyptian Goddess of the Night Sky, has become known to many through the work of occultists, especially the very popular Aleister Crowley, and after him, the orientalist and fantasist Kenneth Grant.

Nuit (Alternative) from Egyptian Tarot by Oliver St. JohnWhile Crowley versified his ideal of Nuit with some success, in practical terms he reduced her to no more than a ‘formula’ of sexual magick, which he was inclined to do with most things. The basis for the assumption rests on interpreting the language of Crowley’s mediumistically received Book of the Law (Liber AL vel Legis) as vulgar innuendo. Yet this has been taken very seriously by some. Sexual obsession requires little or no effort to achieve and is greatly magnified through abuse of the ‘talisman’, As Crowley and Grant called it, which really means the products of sexual activity. This might seem strange to those unfamiliar with the works and practices of these notorious occultists, but it would not be wrong to call them ‘sex magicians’ given the degree of their obsession, which meant that:

1. They were not initiated into anything in reality, although they claimed to be supreme masters of everything and even managed to get quite a lot of other persons to believe that.

2. They were incapable of transmitting a spiritual influence for the same reason and could not have even known what that is.

In fact, ‘self-hypnotists’ would be more accurate to describe these ‘Thelemic’ sorcerers and their obliging followers, who are quite numerous even today.[1] For example, the word ‘come’ appears five times in the first chapter and eleven times in the whole book in a context where a simpleton might think the modern slang term for sexual orgasm was intended. There are no other terms in the book that could be construed in that way. Indeed, the Book of the Law contains a considerable amount of King James Bible English, which was the preferred style that Crowley wrote in when he was pretending to be a ‘mystic’. Kenneth Grant, never one to be restrained, went so far as to speculate that the last verse of the first chapter, “The Manifestation of Nuit is at an end” actually indicates the ‘end’ of her body, the sexual parts![2]

Kenneth Grant took this notion of Nuit as a formula of sexual magick one step further, reducing Nuit to her appearance or manifestation.[3] Sometimes he referred to Nuit as a mere formula of manifestation, to be applied to sorcerous mechanics of menstrual blood, which both he and Crowley confused with the ‘red tincture’ of alchemy, thus demonstrating they knew nothing of alchemy—even their idea of magick was a profane confabulation of imagined notions and systematised correspondences.

In limiting Nuit to a sort of field of phantasmal projections, Grant asserted the Monad—that Hadit the Serpent of Knowledge (as described in extremely ambiguous terms in the second chapter of Liber AL) is the ‘Sole Self Alone One’. Grant then posited what he called ‘mysticism’ and magick as two opposed ideas. The idea is that the magician partakes of both while believing in ‘neither this nor that’. It declares impossibility through confusion of terms because mysticism is properly something that only concerns those with a religious faith, which would certainly exclude Kenneth Grant. The neither-neither terminology was borrowed from artist Austin Osman Spare, who worked to develop a self-styled cult where willed self-obsession is the means of obtaining desire-wish-fulfilment. Perhaps needless to say, both he and Grant were the sole members of their own versions of the selfish cult![4]

Nuit as ‘Not’ or Pure Negation

Grant and other postmodernist followers of Crowley developed a notion of Nuit as ‘Not’ or Pure Negation. This seems obviously skewed if we consider they wanted to reduce Nuit to a formula for manifestation, which means to show something, make an appearance. In its own way the logic can be convincing if we remember that according to certain Buddhistic notions, the visible world, called maya, is an illusion. Thus Grant and his followers wanted to equate Nuit with Mahadevi Shakti Maya and pretend they were rediscovering a tantric tradition; whereas in fact they were simply inventing a pseudo-tradition based on mechanistic magical manipulation itself derived from confusing metaphysics with profane science. According to what we said earlier,

While insisting that the mind, as with everything else, is nothingness or ‘emptiness’, as with the Shunyavada ‘void’ theory, integral to that path in all its manifestations, Buddhists use this empty notion to deny that anything exists as a higher principle to the mind. Thus, in the denial, they actually affirm the mind as sole reality, even if it is ‘empty’. So according to them, it really is all nothing.[5]

The notion that ‘it really is all nothing’ was powerfully irresistible to Grant and his followers, who being ‘satanists’ in the sense they wanted to invert all traditional symbolism so as to destroy tradition to replace it with counterfeit initiation, had great admiration for anything of a wholly negative nature. The ‘void’ theory of Buddhism was the very thing they wanted to provide doctrinal support for their imagined notions. They thus took it and superimposed it upon Nuit, the only aspect of Crowley’s self-invented cult that conveys real beauty and even spirituality, if we carefully sift through the ravings of Liber AL to find the few authentic fragments of ancient Egyptian lore.

Nuit and her Stars

We may wonder then, who or what is Nuit really? With ancient Egyptian deities we need first to look at the hieroglyphs of their names.

Nuit hieroglyphsThe ‘pot’ determinative (nu) shows the nature of Nuit as the principle of containment. On the cosmic level, she appears as a body of stars. The hieroglyph for ‘sky’ or ‘space’ (djet) is symbolised by the heavens above. Space is analogous with the infinite, but is not in itself infinite; that is to say it is not measureless or eternal but is indefinite on the human scale. Space is not, as Western Buddhists and postmodernists alike have imagined, nothingness, void, emptiness or total absence. Space is filled by the fifth element akasha, which permeates it, though akasha is frequently confused with space.[6]

Nuit, however, is not a symbol of the night sky, which is hardly needed. In the same way, profane commentators (and Egyptologists) imagine that Ra is a ‘symbol of the Sun’, whereas both the Sun and Ra are symbols of the supreme metaphysical Real, which only has words to describe it in Sanskrit, such as Atma (the Self). As we do not have a comparable figure in the so-called Western tradition (really a lost tradition), we must resort to Hinduism or other ancient doctrines to find one. Parvati, for example, the bride of Shiva, is the loving, benevolent deity from which all positive notions of the ‘soul’ have arisen. In Shaivite tantrism she is simply called Shakti (‘power’) and is seen as not in any way separate from Shiva, the supreme principle. She is then the power of the Absolute that produces an appearance, the universe, and all individual beings, but she is not the appearance itself.


Notes

Nuit: for the Egyptian Tarot of Nuit XVII and Aquarius click here (opens new page).

1. For an account of Thelema, including a rare interpretation that actually renders some of the Book of the Law meaningful, see our book Law of Thelema—Hidden Alchemy.

2. There is no space here to go thoroughly into the excesses of Kenneth Grant. See the third part of our book, Thirty-two paths of Wisdom—Key to the Hermetic Qabalah: Commentary on the Shining Paths of the Sepher Yetzirah and the Paths of Evil.

3. Grant developed this idea as early as 1955, when preparing the ground plan for his (fictional) New Isis Lodge. He was consistent in this notion throughout his works. It is best evidenced in his book, Aleister Crowley and the Hidden God [Starfire Publishing Ltd.]

4. While it is true that there were others who joined in with Grant’s game, one can hardly call them members of a ‘cult’, which properly speaking implies a discipline.

5. See ‘Pervasive Influence of Buddhism on Occultism and Neo-Hinduism’ here.

6. The refutation of heterodox schools of thought (i.e. Buddhism) concerning space is given in Siddhāntabindu of Srimat Madhusūdana Sarasvati [University of Mysore 1981].

© Oliver St. John 2026

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Our Lady BABALON

Since the First Edition of Babalon Unveiled was published it has come to our notice that some people have very strange ideas concerning who or what our Lady Babalon is, or what she symbolises. The following article is from the Second Edition.

Blake: BABALONBabalon, as divine personification and Shakti, who holds the power of ‘reversing time’ in the assimilation and reabsorption of all illusions of self, is integral to initiatic transmission and gnosis. Yet it is very common now to find ‘devotees’ of Babalon that are devoted to what can only be described as a kind of advertising agency notion of the ‘modern woman’. This involves a sexualised ideal of women that is a contradiction in itself, a dissociated idea of the self that could only come about in the confusion that owes to the spiritual vacuum of the present times. It persists in the ambiguous realm of fantasy—which also happens to be the realm used for selling products. Sadly, the licentious trading on the name of Babalon typifies the total inversion and parodying of all spiritual knowledge. It denies any possibility of real initiation while pretending to sell ‘liberation’ through the cynical commercial exploitation of completely ordinary human weakness and delusion.

Babalon, as she has come to be known, has vastly ancient origins. As we have mentioned earlier, her name derives from a corruption of the Egyptian per-hapi-en-aunnu, the ‘Nile Temple of Aunnu’.[1] The Nile Temple, dedicated to Hathoor the goddess of the sky and the divine pillar or initiatic axis that links heaven with earth, refers to the nome centre of the place named by the Greeks as Heliopolis, the City of the Sun. The name Hathoor (Het-hor) means literally ‘House of Horus’. Babalon is thus cognate with Nuit as the personification of the supreme principle. According to the book of Revelation 12: 1,

And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars.

As ‘clothed with the sun’, Babalon signifies both the manifest and the unmanifest principle. Hathoor is notable for giving birth to Horus without the need for a father, which is indicative of a metaphysical understanding of reality that reaches beyond the cosmological level—though the latter is often the upper limit of what can be imagined by those who write on ‘ancient mysteries’.

The relatively modern spelling of the name Babalon was derived from the Enochian Keys. By Qabalistic values the name adds to 156, which is the number of the Zodiac as a unified principle (12 x 13).[2] From that we can ascertain that while the absolute principle is not altered by any conditions of manifestation, our Lady Babalon, in her manifest aspect, is the ruler of the cosmological sphere. As we know that Horus in his earliest form as Set-Mentu is the Legislator or Lord of the Cosmic Cycle, we can understand how it is not really possible to separate Horus from Hathoor, in the same way Shiva is not separate from Shakti and Hadit is not separate from Nuit, for these are dual aspects of the supreme principle. From the corporeal point of view, Babalon is the type of the human soul, named the Scarlet Woman in the (Egyptian) Book of the Law. As such, she suffers the burden of good and evil, which resides in the human heart.

We must here discern a difference between ‘heart’ as an analogy for spiritual intelligence and the conventional meaning of the word as merely emotion, instinct or sentiment. The ‘compassion and tenderness’ mentioned in the Book of the Law, which is no more than the sentimentalism that typifies our modern times, has negative implications for the soul.[3] The sympathy or feeling that the soul has is closely associated with her bodily emotions and mentality. Such ‘feeling’ thus easily becomes a mask for pride and egotism. While there is nothing wrong with love and kindness when it springs freely from the heart, the human mind has immense capacity for deception.

Scorpio, ruled by fiery Mars, the energy or ‘blood’ of life, is a correspondence of the Scarlet Woman. The number 156 also happens to be a number of Kemoz, an angel of Scorpio.[4] The name suggests ‘essence of darkness’, which is similar to what is said in the Sepher Yetzirah as descriptive of the fifteenth path of Aquarius and Nuit.[5] Darkness or blackness can symbolise the primordial state, which is identical with the supreme principle. In its inferior aspect, darkness is simply ignorance, so we are at once confronted with the dual nature of symbolism. Both aspects apply to the Scarlet Woman or human soul, for she must choose; to choose wisely she must learn the art of discrimination that makes true knowledge possible. As according to the Book of the Law, I: 57,

There is the dove, and there is the serpent. Choose ye well!

The dove is the symbol of Deliverance, also the avatar that ascends and descends the axis or world tree as intermediary. It is inseparable from the symbolism of the Holy Graal. The serpent itself has a dual aspect, superior and inferior. Here it is played against the bird of heaven, as the Adversary or tendency towards evil that is in man. To a certain extent then, the soul must undergo trials in the underworld or infernal realm that has its equation with ‘ordinary life’, before reaching the centre of the labyrinth—all that which guards the true heart of knowledge. Once the centre is reached—if it is reached and not denied—it becomes possible for the soul’s initiatory death and resurrection or ascent.


Notes on our Lady Babalon

1. See ‘Babalon Unveiled’, Second Edition (Revised), p. 24.
2. The number 156 is also the number of squares in each of the Enochian Watchtowers. It is also that of the ‘Splenderous Eden’ (ODN KBVD).
3. Book of the Law, III: 43.
4. KMVTz (156) is Ruling Angel of the 1st Decanate of Scorpio.
5. See Thirty-two paths of Wisdom by the present author.

Our Lady Babalon is from Babalon Unveiled! Thelemic Monographs Second Edition (Revised). The article is there titled ‘Babalon Revisited’.

© Oliver St. John 2021, 2023

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